IMLS Grants Preserve Delicate Photographs, Improve Public Access

Since the 2017 relocation of most object and archival collections from the museum building downtown Madison to the State Archives Preservation Facility (SAPF) on the eastside of the city, staff have been working to create greater public access to the collections. One of the most approachable ways to improve public access has been to digitize the collections and make them available online through our website. In the past, the Wisconsin Veterans Museum received a grant through the Institute of Library and Museum Services, a federal agency that provides library grants, museum grants, policy development, and research, to digitize and make available Civil War images, primarily the portrait photography. The image digitization increased the use and usability of these images, making them globally available while limiting access and protecting the originals from potential damage.

With that success in mind, museum staff applied for and received a second grant through the Institute of Library and Museum Services (IMLS) to digitize and make available other images in our collection. While researching and developing the project, archives staff identified that images following the Civil War, including photographs taken during the Spanish-American and Philippine-American Wars, are increasingly vulnerable. Even when the images are stored correctly, they are prone to fading, losing clarity and details. Many images are also mounted on brittle substrates, which when damaged, can cause harm to the images.

In exploring our collections, archives staff realized that traditional digitization methods, namely scanning on a flatbed scanner, would not be enough alone to capture the images from this period. The staff would have to develop new processes to digitally preserve them. While many of the images from this period can be scanned on our traditional flatbed, other images present unique challenges. A large number of portraits, many of Civil War veterans later in their lives, are often re-touched with pastels, chalk and charcoal, which makes them vulnerable to being damaged if placed on our normal scanners. In addition, many of the images are mounted on canvas stretchers, while others have been placed on curved backings. Many of them are also too large for our flatbed scanner, and too delicate to be put on our motorized pull-through scanner.  We concluded that the best way to capture as many of these images as possible would be to photograph them.

Thanks to the work of two dedicated digitization specialists whose combined position is funded by the IMLS federal grant, we are one year into a three-year project. Hundreds of images have been uploaded, described, and published on the internet through our cataloging system. Next, our current digitization specialist will undertake the task of moving our delicate, oversized and vulnerable images into the photo studio at the SAPF and photograph them before re-boxing and returning them to climate-controlled storage for preservation.

Images from the Charles E. Post Collection

Two soldiers stand in front of a photography studio backdrop painted with foliage, wearing campaign hats with brass insignia, sack coats, uniform trousers with belts, and leather boots.
Cabinet card portrait of Charles E. Post and a fellow soldier. They stand in front of a photography studio backdrop painted with foliage, wearing campaign hats with brass insignia, sack coats, uniform trousers with belts, and leather boots. The soldier on the left, identified in the caption as Charles E. Post, has a brass anchor pin on his uniform coat and holds a bugle in his left hand. The soldier on the right has corporal rank chevrons on his uniform sleeves, wears a cartridge belt around his chest and another around his waist, and holds a rifle in his left hand, possibly a Model 1896 .30 Caliber Krag-Jorgensen.
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Images in the Charles E. Post collection include formal portraits of soldiers, more casual portraits of soldiers and civilians and collected photographs. They feature a variety of uniform styles, settings, studios, and people, capturing the wide range of service in the Philippine-American War service.
Post was born August 30, 1879 in Tonawanda, New York. A resident of Birnamwood, Wisconsin, he served with Company K, 13th United States Infantry in the Philippines during the Philippine-American War.  Charles E. Post died February 20, 1970 in Wausau, Wisconsin and is buried in Forest Cemetery, Birnamwood, Wisconsin.

Images from the Arthur S. Frank Collection

4 soldiers in front of a tent wearing campaign hats, sack coats, uniform trousers, and boots.
Group portrait of Arthur S. Frank and fellow soldiers in front of a tent. They wear campaign hats, sack coats, uniform trousers, and boots. The soldier on the right has corporal rank chevrons on his coat sleeves and a lampasse stripe on his trousers. Frank stands on the left, holding a cigar. This image was likely taken at Camp Harvey, Milwaukee.
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Arthur S. Frank was born on June 4, 1876, in Milwaukee, Wisconsin where he grew up, worked as a clerk, and served in the Wisconsin National Guard prior to the Spanish-American War. When war broke out, Frank became part of Company I, 1st Wisconsin Infantry Regiment, mustering into federal service on May 14, 1898. He traveled with his regiment to Camp Cuba Libre near Jacksonville, Florida later that month and they remained there for the duration of the war. Frank was listed "sick 2d Div. Hosp. at Jacksonville, Fla from Aug. 22 to Sept. 6, '98." The 1st Wisconsin returned home in September and were mustered out of service in October 1898. Frank remained in Milwaukee, marrying Olive and having a daughter Elfrieda (Frieda). He worked as conductor on an electric railway in the city and was active in the United Spanish War Veterans organization. Arthur S. Frank passed away at the Veterans Hospital in Wood, Wisconsin on August 25, 1970.

"IMLS Grants Preserve Delicate Photographs, Improve Public Access" was written by Brittany Strobel, Processing Archivist and adapted for the web by Jennifer Stevenson, Marketing Manager at the Wisconsin Veterans Museum  The article first appeared in the Spring 2025 issue of The Buglea publication of the Wisconsin Veterans Museum Foundation.